I don’t mean to toot my own horn or anything, but I consider myself a pretty good dance teacher. I started assisting dance classes in 2006 and have taught on and off since then. Also, I started teaching dance to some gymnastics girls at the start of this year,who had little previous dance experience, and many of their coaches have commented on their improvement in just these few months. However, when it comes time for me to actually dance, I rarely have a clue what is going on.
I do not pick up fast, which is an awful trait in the dance world, and I often forget what I’m doing halfway through and rely on my muscle memory to get me the rest of the way through the combo. It is like there is a missing link between my brain telling my body what to do and my body actually doing it, which is why I think I make a good teacher.
Anyway, this trait is the worst in ballet class because my teacher likes to give combos that switch legs and directions and the like, which is when I like to make up my own versions. Well, last week my ballet master, who I do dearly love (no sarcasm), was getting on to me. He said that I always messed up combinations because I don’t think about what I’m doing. And he makes an extremely valid point.
During a comb I will start thinking about how the people around me are doing, or that I finally had the right arms, or that I should remember this combo to teach to one of my own classes. And while I’m thinking all those things, I totally forget what I’m actually supposed to be doing. I mean the times I do think I’m not half bad, but those times are a rarity.
So that has kind of become my niche in ballet class, cause I have made up some pretty crazy stuff in desperation when attempting to match the actual steps. But last week, while telling me about how I should think about the actual steps all the times and not just on occasion my teacher was trying to find reasons to persuade me, I guess, and he said, “A lot of people laugh at you. I wouldn’t like it if all those people laughed at me.”
So I thought about this, because he makes another valid point, normally people don’t like to be laughed at, but I do. I don’t care if they laugh, in fact I kinda like that they laugh. And I think I like their laughter because I was not born to be a great dancer, and I’m cool with that, so instead of the “wow” factor, I do what can and get the “funny” out of it.
I just lend myself to be comic relief, not just in dance, but in pretty much all areas of my life, so I think when it comes down to it, there’s a part of me that purposely sabotages my ability to remember the steps in order to get laughs. I know that sounds weird, but after giving this some thought I really think it’s a plausible hypothesis. Being the butt of a joke or a ballet combo doesn’t really bother me, and I don’t know if that’s because I have no self-esteem or to much of it, but that’s really up for interpretation.
So, although I am going to try to think more about ballet while in ballet, I make no pinky promises. Because I do me much better than I do ballet.